Poltergeist Warum sehe ich BILD.de nicht?
Poltergeist ist eine amerikanische Horrorfilmserie, die in den er Jahren von Metro-Goldwyn-Mayer vertrieben wurde. Poltergeist ist ein US-amerikanischer Horrorfilm aus dem Jahre , der unter dem maßgeblichen Einfluss Steven Spielbergs entstand und in dem die. Als Poltergeist bezeichnet man ein weltweit verbreitetes Phänomen, mit dem sich auch die Parapsychologie, die Psychologie, die Psychiatrie und die. auf sich, der die Schauspieler befiel? Und wer genau führte eigentlich Regie? 10 Fakten zum Jubiläum des Horror-Klassikers „Poltergeist“. Poltergeist“ aus dem Jahr gilt als bahnbrechender Horrorfilm. Doch gleich mehrere Darsteller kamen nach dem Film zu Tode.
Carol Anne sagt nur: "Sie sind hiiiier!" Als der von Steven Spielberg produzierte Horrorfilm "Poltergeist" Premiere feierte, lehrte er Kinofans. So muss das sein wenn man einen Film macht. Poltergeist ist ganz einfach von der alten Schule. Tobe Hooper fand ich als Garant für gutes Kino (Lifeforce - die. Poltergeist“ aus dem Jahr gilt als bahnbrechender Horrorfilm. Doch gleich mehrere Darsteller kamen nach dem Film zu Tode.
Steve also finds out in an exchange with his boss, Lewis Teague, that Cuesta Verde is built where a cemetery was once located. Tangina states that the ghosts inhabiting the house are lingering in a different "sphere of consciousness" and are not at rest.
Attracted to Carol Anne's life force, these spirits are distracted from the real "light" that has come for them.
Tangina then adds that there is also a dark presence she refers to as the "Beast", who has Carol Anne under restraint in an effort to use her life force to prevent other spirits from crossing over.
The assembled group discovers that the entrance to the other dimension is through the children's bedroom closet, while the exit is through the living room ceiling.
As the group attempts to rescue Carol Anne, Diane passes through the entrance tied by a rope that has been threaded through both portals.
Diane manages to retrieve Carol Anne, and they both drop to the floor from the ceiling, unconscious and covered in ectoplasmic residue.
As they recover, Tangina proclaims afterward that the house is now "clean". Shortly thereafter, the Freelings begin the process of moving elsewhere by packing up their belongings.
During their last night in the house, Steve leaves for the office in order to quit his job and Dana goes on a date, leaving Diane, Robbie, and Carol Anne alone in the house.
The "Beast" then ambushes Diane and the children, aiming for a second kidnapping by attempting to restrain Robbie and Diane.
Robbie is attacked by a clown doll in his bedroom, and Diane is attacked by an unseen force that moves her up the wall and over the ceiling in her room.
The unseen force drives Diane to the backyard, dragging her into the swimming pool. Skeletal corpses surround her as she tries to escape, but she manages to climb out of the pool and make her way back into the house.
She rescues the children, and they eventually escape to the outside, only to discover coffins and rotting corpses erupting out from the ground in their yard and throughout the neighborhood.
As Steve and Dana return home to the mayhem, Steve confronts Teague after realizing that rather than relocating the cemetery for the development of Cuesta Verde, Teague merely had the headstones moved and the bodies left behind.
The Freelings flee Cuesta Verde while the house implodes into the portal, to the astonishment of onlookers.
The family checks into a hotel for the night, and Steve rolls the television outside into the walkway.
A clause in his contract with Universal Studios prevented Spielberg from directing any other film while preparing E. As such a marketable name, some began to question Spielberg's role during production.
Suggestions that Spielberg had greater directorial influence than the credits suggest were aided by his comments: "Tobe isn't If a question was asked and an answer wasn't immediately forthcoming, I'd jump in and say what we could do.
Tobe would nod agreement, and that became the process of collaboration. The Directors Guild of America "opened an investigation into the question of whether or not Hooper's official credit was being denigrated by statements Spielberg has made, apparently claiming authorship.
Tobe was the director and was on the set every day. But Steven did the design for every storyboard and he was on the set every day except for three days when he was in Hawaii with Lucas.
The Hollywood Reporter printed an open letter from Spielberg to Hooper in the week of the film's release. Regrettably, some of the press has misunderstood the rather unique, creative relationship which you and I shared throughout the making of Poltergeist.
I enjoyed your openness in allowing me, as a writer and a producer, a wide berth for creative involvement, just as I know you were happy with the freedom you had to direct Poltergeist so wonderfully.
Through the screenplay you accepted a vision of this very intense movie from the start, and as the director, you delivered the goods.
You performed responsibly and professionally throughout, and I wish you great success on your next project. In a interview with Ain't It Cool News , Rubinstein discussed her recollections of the shooting process.
She said that "Steven directed all six days" that she was on set: "Tobe set up the shots and Steven made the adjustments. Tobe was kind to her.
In a Rue Morgue article prepared for the 30th anniversary, interviews on the film were compiled from several cast and crew members.
In response to the magazine's query about the authorship issue, cast members came unanimously on the side of Hooper. James Karen said, "Tobe had a hard time on that film.
It's tough when a producer is on set every day and there's always been a lot of talk about that. I considered Tobe my director.
That's my stand on all those rumours. In those terms, Tobe was the director. He's the one who directed me, anyway. Following the completion of principal photography in the first week of August , Hooper went on to spend ten weeks in the editing room putting together the first cut of the film.
Leonetti reported that Spielberg directed the film more so than Hooper, stating, "Hooper was so nice and just happy to be there.
He creatively had input. Steven developed the movie, and it was his to direct, except there was anticipation of a director's strike, so he was 'the producer' but really he directed it in case there was going to be a strike and Tobe was cool with that.
It wasn't anything against Tobe. Every once in a while, he would actually leave the set and let Tobe do a few things just because. But really, Steven directed it.
Following Hooper's passing on August 27, , director Mick Garris, who was a publicist on the film and visited the set on several occasions, came to Hooper's defense on the Post Mortem podcast:.
Tobe was always calling action and cut. Tobe had been deeply involved in all of the pre-production and everything.
But Steven is a guy who will come in and call the shots. And so, you're on your first studio film, hired by Steven Spielberg, who is enthusiastically involved in this movie.
Are you gonna say, 'Stop that Which [Tobe] did. I don't think it's that Steven was controlling. I think it was Steven was enthusiastic.
And nobody was there to protect Tobe. But all of the pre-production was done by Tobe. Tobe was there throughout. Tobe's vision is very much realized there.
And Tobe got credit because he deserved credit. Steven Spielberg said that. It's a Tobe Hooper film.
The music for Poltergeist was written by veteran composer Jerry Goldsmith. He wrote several themes for the score including the lullaby "Carol Anne's Theme" to represent blissful suburban life and the young female protagonist, an elegant semi-religious melody for dealings of the souls caught between worlds, and several dissonant, atonal blasts during moments of terror.
Rhino Movie Music later released a minute cut on CD in A two-disc soundtrack album later followed on December 9, by Film Score Monthly featuring additional source and alternate material.
The release also included previously unreleased tracks from Goldsmith's score to The Prize When the terrifying apparitions escalate their attacks and take the youngest daughter, the family must come together to rescue her.
Written by 20th Century Fox. When I first found out they were remaking Poltergeist I was horrified.
This was the horror I grew up loving and basically compared any and all other horrors to. However, when I watched the trailer I was left thinking: "Okay - good trailer.
Clown doll literally freaked me out. Maybe this is worth a try. That's what I'll say for this film. In no way do I think it is better than the original, however, I wasn't totally offended by it.
To me, it was the same story just set in , and completely made for a audience, if that makes sense? So incredibly tech-heavy, whether it was the products used in the film itself, or the CGI used to create the film.
I was still entertained throughout, and creeped out by some things, so in its way it did its job. But, for now and forever I will always tell someone to watch the original over the remake.
There is no contest in my eyes which one is the better Poltergeist film. Sign In. Keep track of everything you watch; tell your friends.
Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary.
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Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A family whose suburban home is haunted by evil forces must come together to rescue their youngest daughter after the apparitions take her captive.
Director: Gil Kenan. Added to Watchlist. From metacritic. Everything New on Disney Plus in June. The word poltergeist comes from the German language words poltern "to make sound" and "to rumble" and Geist "ghost" and "spirit" , and the term itself translates as "noisy ghost", "rumble-ghost" or a "loud spirit".
Many claimed poltergeist events have proved on investigation to be hoaxes. Psychical researcher Frank Podmore proposed the 'naughty little girl' theory for poltergeist cases many of which have seemed to centre on an adolescent, usually a girl.
Nickell writes that reports are often exaggerated by credulous witnesses. According to research in anomalistic psychology , claims of poltergeist activity can be explained by psychological factors such as illusion , memory lapses , and wishful thinking.
Attempts have also been made to scientifically explain poltergeist disturbances that have not been traced to fraud or psychological factors.
Skeptic and magician Milbourne Christopher found that some cases of poltergeist activity can be attributed to unusual air currents, such as a case on Cape Cod where downdrafts from an uncovered chimney became strong enough to blow a mirror off of a wall, overturn chairs and knock things off shelves.
In the s, Guy William Lambert proposed that reported poltergeist phenomena could be explained by the movement of underground water causing stress on houses.
Later researchers, such as Alan Gauld and Tony Cornell , tested Lambert's hypothesis by placing specific objects in different rooms and subjecting the house to strong mechanical vibrations.
The skeptic Trevor H. Hall criticized the hypothesis claiming if it was true "the building would almost certainly fall into ruins. Michael Persinger has theorized that seismic activity could cause poltergeist phenomena.
David Turner, a retired physical chemist, suggested that ball lightning might cause the "spooky movement of objects blamed on poltergeists.
Parapsychologists Nandor Fodor and William G. Roll suggested that poltergeist activity can be explained by psychokinesis. Poltergeist activity has often been believed to be the work of malicious spirits by spiritualists.
Under this explanation, they are believed to be closely associated with the elements fire, air, water, earth.
Psychoanalyst Carl Gustav Jung was interested in the concept of poltergeists and the occult in general.
Jung believed that a female cousin's trance states were responsible for a dining table splitting in two and his later discovery of a broken bread knife.
Freud disagreed, and concluded there was some natural cause. Freud biographers maintain the sounds were likely caused by the wood of the bookcase contracting as it dried out.
From Wikipedia, the free encyclopedia. For other uses, see Poltergeist disambiguation. Lithobolia Apparitional experience Ghost hunting Mischievous fairies Parapsychology topics list List of topics characterized as pseudoscience Spiritism Stigmatized property.
Pseudoscience and the Paranormal. Prometheus Books. Four Modern Ghosts.